New compositions and their performances serve to build experience, test ideas, establish scenarios, engage in artistic processes, observe processes, write about insights that originate from these reflections, etc. etc.
‘Double Vortex’ by Jan Schacher – Beat Unternährer, trombone & Jan Schacher, live-electronics
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‘Moving Music’ (working title) by Jan Schacher – Angela Stöcklin, dance & Jan Schacher, live-electronics
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‘Drehung’ by Beat Unternährer – Beat Unternährer, trombone, performance & Jan Schacher, live-electronics
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Two canonical compositions served as test-cases for exploration of methods, discussion of terminology, and perceptual studies:
‘Pression’ by Helmut Lachenmann – Ellen Fallowfield, violoncello
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‘Récitations’ by George Aperghis – Donatienne Michel-Dansac, soprano
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